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Earthenware statuettes belong to this period, and a vessel (in the Louvre, Paris) with a long spout based on a copper prototype is the ancestor of many much later variations from this region in both pottery and metal.
Remarkable glazed brick panels have been recovered from the ruins of Khorsabad (Babylon.
The earliest forms of decoration were geometrical or stylized animal or scenic motifs painted in white slip on a red body.
There is comparatively little variation until the 26th dynasty () showing signs of Greek influence.
Immediately above the Flood deposit, and therefore dating from a time soon after the Flood (about 3000 Susa (Shushan) in southwest Iran.
This style, although native to the Cyclades, was also widely imitated on the mainland; in the latest stage the ornament falls increasingly under the influence of the polychrome and curvilinear style of Middle Minoan Crete.
The pottery of Early Minoan Crete bears simple geometrical patterns, at first in dark paint on a light clay ground (EM I–II), and subsequently in white over a coat of dark paint (EM III).
The surface of the ware of Vasílikí in eastern Crete (EM II) has a mottled red and black appearance.
C̦atalhüyük, on the Anatolian Plateau of Turkey, revealed a variety of crude, soft earthenware estimated to be approximately 9,000 years old.
A more advanced variety of handmade pottery, hardfired and burnished, has proved to be as early as 6500 .